If you follow it, you may have noticed that “Call Me Maybe”
by Carly Rae Jepsen was the number one downloaded single on iTunes this week.
If you have never heard this song, it falls squarely in the catchy pop musical category.
It is not good pop, or even bad pop; it is the worst kind of pop. It’s the type
of pop song that you just can’t seem to completely convince yourself has no
musical quality and will be forgotten in 6 months.
This is why the word catchy describes it so well. Nobody
justifies its popularity with a “oh hey, that song is really well composed”, or
“that song is really incorporating a new sound”. No, it’s a catchy pop song and
just like a cold, it’s in our nature to be susceptible.
Catchy pop is far worse then terrible pop because terrible
pop can be ignored. We can change the radio station, visit someone else’s website,
or give it the thumbs down when it comes up. Most importantly, we don’t need to buy the
single. When a catchy song comes up on Pandora though, you find yourself drawn
in. It is engrossing and sounds like the next big thing. Before you know it, 2
months pass without hearing anything else but this song: its everywhere. During this period, the song sucks up all the
time that we could be spending listening to good pop, or even newer types of
music currently disrupting pop.
In the end though, the song just disappears without a
lasting impression. If you return to the single later, it sounds just like
every other pop song you have ever heard. It does not move the pop genera
forward by introducing something new; it simply exists, absorbs our time and
money, and then vanishes.
It is hyperboli to say that this is dangerous. But it is a
great analogy to something that really is: catchy technology. Just like music,
technology can be irrationally seductive. To those listening, catchy technology
sounds like the next big thing. It is engrossing and seems to hold the solution
to boundless problems. We see countless startups appear touting their tech and
we see large companies start their own internal development efforts or make
huge acquisitions to get in on it. But then, 5 or 10 years pass and people look
back and ask “why were we investing in that?” or “how does that improve on the
state-of-the-art?”.
For an example, lets looks at automotive fuel cells. In the
early 2000s this technology was incredibly catchy. Huge sums of money were
invested in different startups, many of the top auto manufacturers started
their own programs, and the federal government created all kinds of funding
programs to get the technology off the ground. Everyone was enthralled.
Unfortunately, little progress was made because, just like in “Call Me Maybe”,
automotive fuel cells just did not push much against the state-of-the-art. In
the end people started asking “so, why is this better than a gasoline hybrid we
can build today?”
In this situation, the danger is not in what was done, but
in what wasn’t. With all that time and money, what else could we have done?
What disruptive technologies could we have brought to market? Or even, what
incremental improvements could we have made to gasoline electric hybrids?
I think it really comes down to a social problem. Nobody
cares if one weirdo is hooked on Tom Waits. It’s not a problem. But when everybody
downloads “Call me Maybe” you have to start questioning. It’s the same for
technology and it goes back to social constructs that lead to bad choices. If a
new technology is catching it is easy to relax and accept it. Inherently it’s architecture will look simpler
and its markets more accessible. And just when some part of your brain is
whispering that the song has no actual value, your finger just wont be able to
change the station.
Sometimes bad music can be cleaned up a bit.
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